Tuesday, July 31, 2007

Closing... Closure

It's a strange feeling, aproaching closure, and maybe with that new beginning?

I've had my main bottom-surgery, decided not to have top-surgery. Maybe a small corrective surgery later this year, but that's not sure yet, and no big deal actually. A new law in Belgium has made it easier to change my gender on my birthcertificate (or in my case the transfer certificate cause of my adoption, not sure what it is called) and my first name.

I had to get a visa for Australia and dug up my passport for that, it's like looking at the passport of a stranger. Sure enough I am so used to being He-Jin that my old name and gender-registration feel so distant and vague. Sure enough I feel strangely distant from the surgery that I had only recently, almost as if it had happened three years ago instead of three months. Soon, no pills anymore, just 6 monthly injections for hormones. So I guess soon it'll be over (as far as something like this can be over), it's taken 6 years of my life... And to be honest, 6 years ago I thought I'd feel different.

When something's been a driving force for such a long time, when it's no longer needed and it fades away so quick, it leaves you feeling empty. Strange how that goes, henna? Anyways, already when I had surgery and got out of the hospital it seemed that others were more excited about my surgery than I was myself. For me, I've always been me, and the physical change didn't affect my feeling that much. It just gave me a little wisper "it's over, you can start living on your own now."

Saturday, July 7, 2007

New tattoo!

난 새로운 타투 있어!

I have a new tattoo!



I love it, just down-left of my left breast, accentuating my breast! Yes vanity is my favourite sin.

Thursday, June 21, 2007

제3회 여성노동문화제

6월 21일(목)~23일(토)- 창원대학교 사림관

21일에는 15시에 언/고잉홈을 상영될꺼에요.

http://www.ww5050.org

Thursday, June 7, 2007

SeLFF 2007

http://www.selff.com, http://www.kqcf.org

At the Seoul LGBT Film Festival 2007 "Un/going home" is screened in the section "L Shorts". SeLFF takes place within context of the Korea Queer Culture Festival 2007, a festival which I unfortunatly will have to miss this year since I'm not in Korea... Anyways, the screening is Wednesday 6th (already past I know) and this Saturday 9th.

6월 6일(수)과 6월 9일(토)에는 서울LGBT필름페스티발에서 L-Shorts으로 언/고잉 홈을 상영되고 있어요.

Funny on their website with info about the films it says in the English section:

Hailing from Amsterdam, Hye-jin cannot be defined solely as an adoptee, transgender, lesbian, or sex worker. Jolly and less than adorable by turns, she has a ball at the KQCF and takes part in public discussions on amending laws on gender reassignment. During her short stay in Korea, has Hye-jin finally found home? Or must she once again set out in search of a home

Well it's funny to me, maybe others can't see the humor I see... I just wonder what they mean with "less than adorable..."?

Tuesday, May 29, 2007

Hijras of Mumbai - Photo exhibition

http://www.transgenderfilmfestival.com

From 18th till 28th, May 2007, A photoseries by Anita Khemka (New Delhi, 1972) was shown at the Lloyd Hotel in Amsterdam in light of the 4th edition of the Netherlands Transgender Filmfestival. The photo's were taken during the shooting of the documentary Between the Lines: India's Third Gender featuring three the lives of three Hijras and Anita's interactions with them as a female photographer, which was screened at the festival as well. Not overly dramatic, neither casual, Both the film and the photos give provide an interesting look at the lives these Hijras. Meeting Anita and Laxmi (one of the Hijra featured in the film) was amazing. Both are very strong people, sharing and interesting friendship. I admire both of them for their creativity, their strength and courage.




Anita Khemka has worked as a documentary photographer for organisations like Unicef and UNAIDS with a focus on the position of women and sexual minorities in India. Khemka’s photographs are rooted in her experience as a woman, and her interest in how sex occupies a major part of people’s lives. Khemka is drawn to eunuchs and prostitutes whom she follows for years to film these intimate portraits.